In Geralt: a father who pointedly insists that he still hasn’t forgiven Yennefer for her betrayal. In Vesemir: a grandpa who tried to stab her to death. In Jaskier: a goofy uncle you probably shouldn’t trust to babysit. Her “family,” as it stands, is pretty dysfunctional.
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Having spent the entire series mourning the loss of her old home, Ciri closes out the season by asserting that she has a new one: “I have to go home,” she tells these phantom versions of her parents as they dissolve into dust. In the end, it’s Geralt’s insistence on bringing Ciri back to reality that breaks her out of this fog, with his desperate pleas managing to reach her and shatter the fantasy she’s stuck in. Not only are Calanthe and Mousesack there her dead parents, Pavetta and Duny, are in attendance too. While the Deathless Mother uses her body to kill people, Ciri believes herself to be at a ball in Cintra, living an idealized version of the life she lost when Nilfgaard attacked her home.
Like everyone else who encounters the Deathless Mother, Ciri has been sold a fantasy. That’s more or less what literally happens - but the real battle that unfolds here, which feels closer to the story The Witcher actually wants to tell, is happening in Ciri’s mind.
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Honestly, I found it so contrived and convoluted that I’m not entirely sure how to describe what happens, but I’ll take a shot anyway: For reasons both as personal as saving the few remaining witchers and as universal as preventing the end of the world, there’s a legitimate argument that Ciri needs to be stopped by any means necessary.Īfter a bunch of monsters kill a bunch of witchers and the survivors put their heads together, it turns out there is another answer. Vesemir isn’t as sure, and it’s because the stakes are so high here that I found myself in the unusual position of siding against Geralt. The only solution he’s willing to entertain is one that will leave Ciri alive. In this case, Geralt never wavers in his answer: Even if killing Ciri would also mean the death of the Deathless Mother, that’s a compromise he won’t make. Which pushes The Witcher’s season two finale to a question the show has been asking all along: What is a monster, and what can be done to stop one? Now he’s staring at an impossibly powerful one, in the guise of his surrogate daughter, who is threatening to unleash countless more. After Geralt and Yennefer race to Kaer Morhen to try to save Ciri, they find her poised to shatter yet another monolith that will unleash new breeds of monsters into the world. This series frequently flirts with fantasy horror, but it’s never embraced it as fully as it does in “Family.” This grim opening sequence isn’t even the only mass murder in the finale in response to the killing of her baby daughter, Francesca engineers a truly nightmarish spell that causes mass infanticide, leaving all the babies in one Redanian city dead.īut as rough as it is to watch the Deathless Mother kill off a few remaining members of the endangered species called witchers, that’s a drop in the bucket compared to the violence she could unleash if she fully taps into Ciri’s powers. To these victims, who don’t know Ciri has been possessed, this is as about as shocking and horrible a death as you can imagine: Bleeding out while staring at the girl you welcomed into the only home you’ve ever known, who holds the knife with a finger to her lips and a smile on her face. In Ciri’s body, the Deathless Mother stalks around Kaer Morhen, slitting the throats of witchers as they sleep. The Witcher has repeatedly warned us that the time of sword and axe is nigh - but as the season-two finale begins, the Deathless Mother settles for a knife.
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